John Freeman is the editor of Freeman’s, a literary annual of new writing, and executive editor of the Literary Hub. His books include How to Read a Novelist and The Tyranny of E-mail, as well as Tales of Two Americas, an anthology of new writing about inequality in the U.S. today. Maps, his debut collection of poems, was published in 2017. His work has been translated into more than twenty languages and has appeared in The New Yorker, The Paris Review, and The New York Times. The former editor of Granta, he is Writer in Residence at New York University. For John Freeman―literary critic, essayist, editor, poet, “one of the preeminent book people of our time” (Dave Eggers)―it is the rare moment when words are not enough. But in the wake of the election of 2016, words felt useless, even indulgent. Action was the only reasonable response. The result is his Dictionary of the Undoing. From A to Z, “Agitate” to “Zygote,” Freeman assembled the words that felt most essential, most potent, and began to build a case for their renewed power and authority, each word building on the last. The message that emerged was not to retreat behind books, but to emphatically engage in the public sphere, to redefine what it means to be a literary citizen. With an afterword by Valeria Luiselli, Dictionary of the Undoing is a necessary, resounding cri de coeur in defense of language, meaning, and our ability to imagine, describe, and build a better world.