Patrick Hoffman burst onto the crime fiction scene with The White Van, a captivating thriller set in the back streets of San Francisco. Hoffman returns with Every Man a Menace (Grove Atlantic), the inside story of an increasingly ruthless ecstasy-smuggling ring. Stretching from the Golden Triangle of Southeast Asia to the Golden Gate of San Francisco, Every Man a Menace offers an unflinching account of the making, moving, and selling of the drug known as Molly—pure happiness sold by the brick, brought to market by bloodshed and betrayal. Carl Haasen writes, “. . . everything you could want in a thriller—lightning pace, dead-on dialogue, and a twisting, high-torque plot.”
